he mighty mn2s kicking off with a winter sampler with some killer remixes from sandy rivera & grant nelson, look out for the dj friendly cds coming soon

seasoned producer, musician and dj, mike monday has always been at the forefront of the uks electronic music scene. his skills have been honed and developed through years in the late 90s spent producing a variety of styles of music. time well spent indeed as this fertile training ground prepared him for the presentation of his critically acclaimed 2nd studio album, songs without words. heavily influenced by the dubstep and funky scene, yoppul has the ethnic sounds of london written all over it. its warm drums sounds, hefty bass and quirky melodies epitomize mikes signature sound and are a tribute to the soundtrack that is currently ruling his citys streets

in mos ferrys eyes mikael stavostrands no turning back(mfp024) release at the end of 2006 still marks a highlight of his minimal techno period - and this is not only because of big bullys unmistakable vocals. now, none other than daniel sanchez (mumbling yeah) takes up the subject once again and with his no turning back remix he picks up where the krause duo started tastefully back then. daniels 12 minutes remix relies totally on an energetic rolling groove and puts the vocals always precisely when others would think it cant get more driving. the second remix was made by mikael stavostrand himself and is a straight and spatial welldesigned dj tool. for his own re-interpretation big bully got reinforcement through the argentinean odnu and heads more towards dub techno. these are three very succeeded remixes, which awake the desire to listen one more time to the original (despite the title)

as summertime comes, exprezoo records squeezes out the best of its crew for a fresh release: youll probably remember george kranzs >din daa daa< (trommeltanz)... this is just a modern reinterpretation by the exprezoo guys that comes to life through a bootleg vinyl with a very limited 100 copies.
the first mix by alexxei n nig, is a dancefloor killing reconstruction of the beatline, keeping most of the original voices. the 2nd one by decoside, takes you directly under the sunrise with a deep soulful synthline and a fine jazzy groove. the 3rd one by quike is a very well working tool keeping the central voice to introduce a pumping reprise

roberto bardini is a deep techno producer from turin (ita). he is amongst the few enlightened producer/djs who declared independence from the current minimal-techno mainstream. his musical approach is by all means deep, and through this he casts his vision of a more mature and alternative dancefloor.
well known alongside labels such as shyan music and plastic city, in 2007 starts a collaboration with eclipsemusic and this is his second apparence named >new perspectives ep< features a slow-motion deep house vibes especially >through together< amazing synth texture running on pads pattern in classic robs style deep as the ocean, music with soul and appropriate track for sunset landscapes and beach time dancing, the titletrack >new perspective< is more techno oriented production with dub style chords and raw clipped bass, a new form of dub techno music better for dancefloor situations. rob confirms himself as a innovative deep man walking!

position your television antennas correctly and adjust the tracking on your beta player, because the new ep from college is making its way through high frequency airwaves and into our living rooms. college, valeries main man, with a five track episode into 80s nostalgia which plays like a pseudo soundtrack - featuring the airy vocals of electric youth on the title track. limited edition of 300, hand numbered copies.

okains dj career kicked off back in 1999, when at the tender age of 15 he began spinning regularly at parties. influenced by french legend laurent garnier, it wasnt long before he was offered his first residency. since then, he has gone on to play at the hottest of paris nightspots, including the rex club and social club. through playing at the now famous dimuschi parties he teamed up with paul ritch. after some time studying in sound engineering, the pair released their first ep under their handycraft alias on kickboxer. since the success of that >le bal masque< ep, okain has gone on to release on labels including robotronic, bpitch control, four twenty, tsuba, quartz and of course jetaime, and has been fully blooded in the art of touring. gigs have flooded in, and his travels have seen play many of europe s finest nightspots. his >blackrock< ep on quartz earlier this year found fantastic success with so many of you, and today our good friend is back, with the awesome >acrobat<.
the original sees okain take the warm, techy path. a lo-slung groove leads us into the melodic strings. matched with sharp efx, strong beats and a demonic laugh, this is a sure fire winner. first on remix duty is label head alex dee. toughening proceedings, alex creates a driving, somewhat tribal work out. relentless beats work brilliantly with the now chopped vocal, to create dramatic tension that builds to a crescendo in the break. a fantastic mix. a great package already, and one that just got even better with the edition of daniel mehlharts incredible rework. the frankfurt producer is hot property right now, and this mix showcases perfectly just why. deep, warm and moody, with huge helpings of classic detroit touches, the originals strings are accompanied by weighty synth stabs, to stunning effect. essential.

metroline limited catches sonotheque pimping it. beautiful, rich synths and brass move right through this ep, bubbling through nice solid house grooves and soulful vocal cuts. >sugarblues< is the kind of house cut that technoheads go nuts for, with the loose, fluid structure of carl craig, the bump and grind of dj sneak and a smooth-as-a-babys-bottom sax line that runs the length of the track.

right on the heels of aux-records enthusiastically received 1st release featuring very contemporary revisits of the 1950s classic >fever< by franco cinelli and club rayo, this 2nd chapter of the aux-rec project travels to different eras, into different styles. and this is precisely what we had set to do: zig-zag through dance music history in search of personal favorites and classics to be revisited or refreshed. for the present release, we travel to two distinct dates: 1989 for the a-side, and 1979 for the b-side. two tracks that are 10 years apart, but that both share a fiercely upbeat and affirmative musical profile, as well as a certain ageless, core, compositional quality.

fumakilla launches the new year with a banging, excellently produced 12 inch from the pen of valenzuela / casarano. after their outstanding debut release >otra vida< on fumakilla, which was played and charted by numerous top djs like jimpster, luciano, brothers vibe and onur Özer, just to name a few, the two chileans now drop >aneninema< - a classical ep with 3 magical tracks. the a-side starts with >santi< and its instantly starting hypnotic pumpin groove. with >flaca< the two prove their musical talent with loads of charm and soul, besides the track flows vitally through its latin roots? on the flip with >aneninema< they combine and link all these ingredients to create a >groove deluxe< that wont keep anyone standing still in the club. feel it , play it ,love it

is time for a brasilian-german-canadian connection through this new defrag// release. robert babicz and pan/tone at the control remixing gui boratto and delivering two finest gems. babicz show his skills with an elegant andpowerful tune - driving and hypnotic with that super fat sound that only robert have. on the other side we proudly welcome our friend pan/tone on board, his debut for us is a percussive and sofisticated tune with an old schoolappeal. more will come soon from this man on defrag//, stay tuned.

the spanish connection shows their funky skills on this new hot record. hear the caribbean bras bands march through the streets carnival style on the a-side. fer br pulls all his drummers out of the closet and marches till dawn. on the flip tribal all the way with the luky r.d.u. & peppelino!! hot hot hot!

the 2nd release from detroits emerging techno label, asrx, is sure to keep the late-night dance floor flexing! this release takes the listener on a journey through space and time with its hypnotic / psychedelic grooves and driving / pounding bio-mechanical rhythms. drop one of these tracks into a serious techno mix and watch the dance floor erupt

“i didn’t know of aybee until recently after i met him through fred p. fred had played this classic track called “build her” by delaroix which turns out to be aybee! this ep bridges the gap between afro house and tech house. guaranteed to move the crowd!” jus-ed

one of those records that is just out of this world! the day has finally come that anto vitale makes a return to seasons limited and brings the beautiful and soulful tamara wellons along for the journey! anto vitale first landed on seasons limited in 2008 with his debt record >majico<, which was a beautiful masterpiece that weaved its way through african and techno rhythms and tore up dance floors world wide! anto vitale comes home with another record that just blew us away, featuring the beautiful vocals of one of our favorites tamara wellons. this is one of those records that is just out of this world!

traversable wormhole has become one of the hottest mystery artist projects/series in the techno scene in 2009. crossing the spectrum from deep techno to hard techno, tw has even found its way into the dubstep scene. traversable wormhole has been played from a huge array of djs from many scenes. reports through the wormhole have heard tracks from tw played by world famous djs such as chris liebing, ben klock, marcel dettmann, mathew herbert, andrew galluzi, surgeon, function, frankie bones, luke slater, surgeon, dj deep and a whole lot more... tw has many years experience in performing both as a live act and or djing with turntables under his his/she/there well known projects names. will tw reveal their identity on the upcoming worldwide tour that question remains unknown.

every year hundreds of thousands of dance records are being made and released. with the output from dance producers at an all-time high and with so many records crossing over it takes something a bit special to break-through from underground groover to worldwide mover. 2010 is the year of >sidney samson – riverside (lets go!)< on data records.
the facts above dont lie, this isnt just a dance record, its a dancefloor phenomenon and theres good reason for the comparisons with >day & night< by kid cudi vs. crookers and fedde le grands infamous >put your hands up for detroit<. its got exactly the same appeal and has had exactly the same effect, i.e. unstoppable support and praise from the coolest underground djs all the way up to the global superstar djs and via every european summer holiday resort. sidney samson is a name you simply cannot ignore right now.

things are really moving at dumb-unit, the new year is about to hit and we are ready to bring on another superb artist to the roster. this time in the form of ahmet sisman, the turkish / german sensation who is already makinginternational waves with his strong batch of recent releases. flagged by sven väth and mathias kaden as one to watch in 2010 ahmet has been on the radar of jeremy p caulfield for sometime. his slash, lessizmore and stock 5 eps were in high rotation through the summer and were a perfect fit to jeremys high energy sets. with a dense impact of heady efx and speaker rattling low-end ahmet is the perfect match for dumb-unit as the label bumps and thumps deep into the unwritten future ... stay tuned …

tiger supported by... rob da bank, kiko, markus kavka, mihalis safras, justin berkovi, ivan smagghe, orde meikle... moonbeam are back on traum! the russian brothers had a great year and have been voted as one of the top 100 djs worldwide by uk dj mag, in december 2009. we think they are wonderful, dedicated people who really deserve winning this award. with their new a-side track >tiger< moonbeam show their timeless quality and their deep knowledge of music, writing a seemingly simple but gigantic track. if you want to express in words what this track is like you might say it is a hybrid of joe beltrams >energy flash< fuelled with a melodic note and a lot of post-techno feeling. creating a revival of rave which so many people speak about, but so few actually reflect in theirproductions! the energy of this dark monumental new school acid track is counteracted by the two tracks on the flipside >land of the lost (strict mix)< and >zoo<. the b1-track >land of the lost< sounds like a soundtrack for a film set in a ghost-town in the midwest of the united states. a track that travels like a camera does... through different rooms of a deserted mansion. the b2-track >zoo< is the beat track of the record. it relies on its cool driving sequences and the hypnotic feeling it creates through them. adding small changes here and there that keep the track constantly going.

quarks remixed by turner, gonzales, schneider tm, submission and jamie hodge. released in 2000 on gudrun guts monika enterprise imprint.
turner turns the queens heart - the >königin< is dancing now.
gonzales wanted all and more, and he got it: >alles und mehr< flying straight and soft through the clouds.
schneider tm drops the guitars - >fallen< - sounds like an ejection seat.
submission bought a new dub dress and covered time (>zeit-hin<).
and at last but not least: jamie hodge is secretly catching us in the dark (>dunkeln<).
these remixes are beautiful and shy. just like roe deer. they give every track a new brightness and let them sparkle again. come on now - dance and dream away in quarksland.

danish synth-rock band turboweekends first release in the uk is an atmospheric yet heartfelt cry of regret on the a-side and a jumpy celebration of the end of work obligations (with an ironic twist) on the b-side, featuring the royal company of bristols finest, joker, and indie prince russell lissack from bloc party.
- i am tipping them for very, very big things here in uk. the lead singers voice is amazing.(?)this is huge. -mista jam (live on bbc1 and 1 extra)
- natty danes turboweekends angsty single >trouble is< is like one republics >apologize< as seen through the bass lens of blank dogs (?) its an excursion into the dark crevices of your feelings, but dont even try and tell us youre not at least a little emo. ? the fader.com (julianne shepherd)
- wow. most remixes dont do justice to the original song, but this is from another world. this bass heavy remix is the reason i love british music. ? man movement.com (lsr)

close to the end of the first season, percusa records presents their last vinyl in 2009 and the labeltrio fimo themselves. after the successful remix on varoslavs >family ep< the three friends now deliver 3 fresh tunes working pleasant in the cold winter time.
>busy time< starts with a long warm intro and a duby chord which risesto a kind of detroit-style groove while the beat drops. fresh vocals and changing percussion shaking perfectly through the coldest night.
>deep fall< was produced in that mood when warm feelings come to mind, reflecting those nights when time falls down into deep winter-feelings. atmospheric voices, deep hits, stabs and chords melting toa catchy atmospheric feeling.

second release on the bounce by helixir on 7even recordings after his last digital dubby experience >xp dub / peace dub< in june! recognized as one of the most versatile of the new breed of french electronic music producers, the man from strasbourg is back this time with two bass-heavy productions in his own percussive style.
>convultions< is a real dancefloor weapon, the robotic riddim subtly brings a deep sub-bass becoming more and more insistent, the beats never stop evolving along the journey, the breaks hit your senses, pure badness from this ultra precise producer!
>let me drive now< brings you to a beautifully produced track through magical percussion, galactic synths and smoky atmospheres, somewhat akin to 2562s latest directions. a beautiful piece of music, tightly produced by helixir, who shows again his mastery of the studio and modern bass music.

after the first une release (monoblock/treplec) supported by many djs like mathias kaden, chris carrier, troy pierce, laurent garnier, seth troxler, franco cinelli we are coming again with une002 by zap - >mi amigo< + inxec remix.
zap immerses us squarely in its parallel dimension, a place where stuck-up sounds and elegant percussions coexist with a martian sub bass. curious scene to expose a slightly conventional instrument in a dancing floor, the bandoneon, which chopped with a sharp knife and served with mastery, manages to transform the track into a dizzy trip and full of surrealism.
inxec achieves to transmit the feeling of no gravity based on orbiting elements, volatile basses and open field sounds. as it goes it leads us through a space trip, capable of opening a gap in any type of session, which suddenly can turn into a space odissey with dyes of psychological thriller.
support: konrad black, richie hawtin, josh wink, cesare vs disorder, adam beyer, matt star, jens zimmermann, dan drastic, alex kid, brothers vibes, pheek, alland byallo, pablo roman (bar 25), sebastian wilck (watergate), marcus (weekend), kane roth, luciano esse, jeremy p. cauldfield...

the first release on the new deluxe mood label, featuring 3 tracks of lo-fi destined to appeal to afficionados of disjointed hihats and slowly mutating sub-bass electronics. production duo dark network emerged from a series of semi-conspiratorial electronic projects through the 1990s with their 2003 album late set, released through clan analogue recordings. they have been frequent contributors to vinyl and cd projects over the years (on imprints such as clan analogue, klub kooky and stoner classix) and appeared live at various underground venues. side a is the result of one such live appearance - a rare archival live set recorded at sydneys klub kooky in 2000, improvised on an array of aging analogue machinery.

ltd one sided 10 300 copies only, first come first served! track taken from originals 4. when i was growing up, the only rock record in the house apart from the beatles was a christian rock record: straight talker by bristol band amaziah, my dad was a huge fan. my brother and i listened to it each day, as our matchbox ferraris traced intricate road networks on the patterned living room carpet. soon we knew every word, wah wah solo and squiggly synth noise off by heart. we loved it. and who could thought fifteen years later, while picking through piles of junk in the shed we found this forgotten treasure and searched for the owners and finally gave it a release on our label. so paul and jez, along with dave steel, derek elliott, richard grinter, phil williams, gerald davies and keith loring – and most of all my dad - this is for you.

miss fitz, laverne radix, spunky brewster, mara trax, uli künkel….thats all maayan nidam, who already released on various labels like contexterrior, raum…musik or sushitec…(to name only a few). earlier this year, maayan presented her first full lenght album through the japanese label power shovel audio. …..and the music? ….deep!!

supported by renato cohen, danny tenaglia, sian, patrick pulsinger, axel bartsch, bukaddor & fishbeck, orde meikle, kiko... let us introduce the new trapez artist deepchild with his brand new 2 track ep on vinyl. deepchild writes bass-heavy machine-music for broken people, disjointed booty-bass for backroomdreamers, fuelled with sweat, jackin funk and tears. >backroom< is such a track, a warm, raw, urgent and sensual. techno at its finest, highlighting deepchilds voice stronger and more delicately than in the other track. his misch-masch of deep detroit futurism, southern-crunk and forgotten space-disco cut with a rusting razor-blade of german tech-minimalism and filtered through a personal collection of odd analogue equipment is a secretformula that has >backroom< come to life! the b-side >death panel my ass< is a masterpiece of a recording with a hell of a tricky production, cool vocal snippets, cool effects over dubs... well a busy track but at the same time at ease and deep.
deepchild is based in australia and has recorded for resopal in the past. he is playing worldwide and on trapez parties in 2010 !

these two fellas from upstate wanted to party, so we met downtown at the club later that night... fresh off the mystery meat imprints auspicious debut comes ncams double header deep house excursion. comprised of nick chacona and anthony mansfield, the bi coastal duo have reworked seemingly untouchable bits of discos past to come up with two sublime housey reworks. handle this is a firm favorite of one todd terje, and its no wonder what with its slow, hypnotic build. nick and anthony strip down a prelude classic to its core elements to create an otherworldly rework, teasing the female vox before they let loose midway through. the bongers is a not so subtle nod to the original source material, again with the boys retooling a classic from the prelude catalogue with dazzling results.

musica sol y mar are pleased to offer their first release showcasing some of the most beautiful music played on the island of ibiza from the last 30 years, a style of music that has become known throughout the world as balearic. musica sol y mar is the brainchild of two djs originally from the spanish mainland but now settled in ibiza. they are deeply influenced by the music played by the likes of cafédel mar legend, jose padilla as well as phil mison and jon sa trinxa. this compilation provides a beautiful snapshot that will take anyone who has been to ibiza back to those long chilled days and nights on the white isle. for anyone who has not yet made it to the balearic paradise of ibiza, the music here will provide a tantalizing glimpse into the spiritual vibe to be found on the island. from the cool danish pop of laid back, through neo-flamenco courtesy of ottmar liebert to the ultra-chilled reggae grooves of gregory isaacs, balearic sound volumen uno is a broad church of musical styles. jean-luc pontys rare version of mory kante s ye ke ye ke is worth a special mention as it is now getting plays again from san antonio to the big apple. all tracks featured here are either long deleted on vinyl or are seeing a vinyl release for the first time. all tracks have been re mastered for maximum quality.

support from andre rozzo, alex jones, so inagawa, jamie jones, matthew styles-harris, laurent garnier, steve lawler, nic fanciulli. luna records is a new uk based label from respected club promoter/ dj/ producer paul bowen, the man behind middlesbroughs infamous >riff raff< events. the label is set to release music from some pretty well established artists with an emphasis on stripped back chunky house music and in that vein the debut single sees the much hailed german producer chris lattner step up get the imprint firing in the right direction. lattner has been djing for the best part of two decades, initially gracing the decks at hannover techno parties before word of his talent spread, seeing him strike out to play across germany. he has hosted a radioshow for australias pulse radio, worked as a booking agent for lessizmore and has had releases on labels such as einmaleins musik and wba. his passion for electronic music has shone through in everything he has done and led him to produce some great records, to which can now be added the luna debut >memory<. this single release kicks off with lattners original of >memory<, a solid tech driven slice of house with heavily effected vocal samples and a simple floor shaking groove. this is understated underground house music at its best, deep chunky and highly effective. first of the two remixes comes from ex-peace division man justin drake, who builds on the vibe of the original, thickening out the drums and layering some heavy filters over the sythn stabs to great effect. a straightforward and highly effective arrangement provides everything that is needed in this excellent reworking. finally we have a remix from bearweasel, who have been providing choice cuts in house music over the last year via labels such as tsuba, supernature, bloop and murmur. for their >lazy dub< they take things back to basics and turn in a slab of deep and dubby house with an emphasis on razor sharp percussion and earth moving bass. this is a superb debut from a label that is sure to become a major fixture in 2010.

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

members only diggs through historical archives for the 15th time and comes up with 3 hot edits of south shore commissions >free man<, gil scott-heron & brian jacksons >the bottle< and >the writing is on the wall< from some white 7 inch.

after their release on super flu label monaberry, hanne & lore serve the new dish on superfancy plates. the justamente ep features two crisp tech house tracks, keeping you warm through the winter season. a hot welcome hit from hanne & lore on superfancy recordings !!! the label with the eyes.

deep space acid ambient techno on a 10 track mini-album by roswell return, who made his debut in 2009 with the massive iftodex c0001 release. ten priceless detroit influenced techno excursions through electronic galaxies for adventurous djs and tripping psychonauts. available in a very limited vinyl pressing.

redux continue to pile on the pressure with a stellar line up of releases ready to drop through 2009 and beyond next up we have new yorks drrtyhaze, who ve dipped in and out of the discopolis with a handful of deadly cuts and remixes over the last couple of years. here they revisit the heady days of early house a la trax records, and update the sound into an altogether crispier form on the monstrous new york city jacks the mysterious ppf crew turn in a super heavy weight remix inspired in no small part by the raw energy of ron hardys musicbox sets a full bells and whistles workout thats already causing a stir from early promo mailouts finally make my body hot wraps up the ep with a brass punctuated slab of girth some balearia.

marco bernardi was an obvious choice for who got to do the first album on frustrated funk. representing his most delicate compositions ranging from freaky minimalistic electro trickery to the sweetest and intense excursions in the field of what they use to call intelligent techno . we simply picked out his best moments along the line and put it all together for this brilliant presentation. with this piece of art we show again that we don t give a shit about new styles, trends and hypes. we just want to deliver a very sweet package that you will still be playing and cherish in 15+ years from now. this deluxe double vinyl album will be sweetened with hand stamped label art, hand made screen printed sleeves and pressed on pretty pink transparent vinyl to make this package extra special. enjoy!!

past, present & future all wrapped into one... we are very happy to welcome the newest members to the citydeep family, and straight off there smash hit for sole channel records. dasoul, fabry diglio & m.a.d. boss brings a brand new jam that moves in between deep and soulful house with out a missing beat! moon in taurus kicks it off with a dark and dirty feel but before it has worked its magic you have moved through deep and soulful to take listener on a ride. play this one loud and watch the dancefloor come together as one!

since the days of yard emcees (one little indian), through to the great ezcape, profisee has dropped food for thought. having featured and toured with audio visual geniuses hexstatic (ninja tunes) prof has collaborated on various releases (such as neil landstrumm, vent, capitol 1212, process rebel) showcasing his versatile style across a range of tempos and styles. profisee is set to solidify his status as a solo artist. championed by the likes of rinse, kiss fm and bbc radio 1, zoning is the first official release through cloak x dagger. produced by san francisco producer eprom, profs poignant flow takes the squelching beats & bass to another dimension

uk house music and disco superhero rob mello has been instrumental in shaping the evolution of the uk sound since way back when. through labels like classic, luxury service and the way ahead of its time disco elements series on azuli in the 90s, not to mention countless innovative remixes and collaborations, his production output has shone out like a supernova for well over a decade. this is a return to songwriting, to tracks with longevity and a timelessness which transcends forgettable vogues. butterfly is the debut release from this dynamic quattro known as beulah heights - three producers/writers and one singer. a dream team collaboration between royal college of music and child prodigy lyn goddard, dj/producer and film scorer rob mello, producer/dj nathan boddy aka the illustrious office gossip and the amazing vocal talent of singer katie beadle. so here we have it, the majestic first release on beulah heights. a slowly pulsating monster of a cut, shot through with a futuristically executed homage to early 80s productions and more than enough girth to guarantee a powerful response from the floor. already road tested to rapturous response, this is an absolute beauty.

traversable wormhole has become one of the hottest mystery artist projects / series in the techno scene in 2009. crossing the spectrum from deep techno to hard techno, tw has even found its way into the dubstep scene. traversable wormhole has been played from a huge array of djs from many scenes. reports through the wormhole have heard tracks from tw played by world famous djs such as chris liebing, ben klock, marcel dettman, mathew herbert, andrew galluzi, surgeon, function, frankie bones, luke slater, surgeon, dj deep and a whole lot more. tw has many years experience in performing both as a live act and or djing with turntables under his his/she/there well known projects names. will tw reveal their identity on the upcoming worldwide tour that question remains unknown. tw is only getting hotter by the minute as traversing the wormhole continues with vol 5. improved packaging for your eyes

luke slaters mote evolver label is not pulling any punches. having shaken the techno scene to its boots last month with the release of ortin cams no-holes-barred >carnage<, the label moves on to their funky 13th release.
the name cari lekebusch is synonymous with what has made techno the musical powerhouse that it has become. globally recognized as a founding force behind the swedish techno movement alongside the triumvirate of adam beyer, jesper dahlbäck and joel mull, lekebuschs distinctive musical style and creative integrity has graced leading label from drumcode to soma to harthouse and turbo and spawned a career that has maintained over nearly two decades.
spindizzy is a deftly crafted funked-up tech house track. constructed from a palette of harmonically aligned keys, bass and horns, its intensity comes from the measured way in which each element is given the space to breath its own energy into the mix. pacey but musical, subtle yet memorable, this is a standout record.
luke slater adding his bass sodden l.b dub corp twist to the track completes the package. deeply dubbed-out tribal rhythms take the mix on a more left-of centre path that winds through a busy soundscape of atmospheric acoustics that seem to breathe in deeply before being exhaled in a release of firing percussion.

twentieth release in fat cats famed split series compilations, this record combines norways alog with sunroof! member astral social club.
active since 1997 and one of norways leading exponents of experimentalelectronic music, alog is the duo of espen sommer eide and dag-are haugan, mainstays at the rune grammofon label.
alogs unique, hybrid sound has since developed through four albums that have unfurled a series of abstract yet accessible, self-contained sound worlds, each animated with their own internal logic, mixing a wide variety of bothelectronic and acoustic sources into something warm, intricate and organic.
alog embrace the freedom to flit and root in the cracks between strands of minimalism, electronica, post-rock, improv and vernacular music, merging woozy, stuttering electronica (a la oval or nobukazu takemura), with rich, shoegazey guitars, freeform improvisation, scandinavian folk, field recording and the masterful editing and soundscaping of electroacoustic composition.
astral social club is the project of prolific scottish-born neil campbell, apivotal figure on the uk post-punk underground, with a vast catalogue and numerous collaborations.
a member of both matthew bowers total and sunroof! projects, he appeared on three of the latters albums before helping to form the hugely influential and prolific (over 40 releases) leeds-based drone/psych-rock outfit vibracathedral orchestra in 1998.
campbell left vco in 2006 to go solo as astral social club, under which moniker he has released a number of albums (on labels like vhf, important, qbico, textile) and an ever-increasing stream of self-released cdrs in alimited edition series of volumes (currently up to #19).
the three tracks here were recorded by campbell, john clyde-evans, paul walsh and spider stacy.

you may not have heard so much from andre (aka &me) so far. instead of the flash and glitter associated with most of his producer colleagues, hes preferred to stay in the shadows, co-producing and ghost writing for artists like dj hell and terranova. now after putting out his first solo single on keinemusik, which was supported by all the key players (front room label boss jesse rose, luke solomon, gabriel ananda, danny tenaglia and dubfire plus many more) &me is finally ready to go public as they say. he may have taken some time to figure out his own style of blending techno and house music but now hes out theres really no escape. with a name like an attention deficit childs mantra its a wonder he stayed in so long. the on ep is an excursion into the type of techno dusted pulsating minimal house that has been so big for artists like luciano esse and arnaud le texier and which is heard on heavy rotation in berlin meccas like bar25. with a side on ever present digital squelches (reminiscent of a rolf harrris style wobble board) are laid over shakers, stripped-back beat and the familiar on vocal. its not hard to understand why tiefschwarz have been rinsing it for quite some time now as a huge afterhours groover. b side talking days, swimming in lush deep techno elements, weaves through more melodic territory but is no less infectious

after recent successes on his other label, donnacha costello returns to his look long imprint with the storming one sided monster that is ten thousand hours. to begin, an ominous, growling, analog siren calls out from costellos roland sh-101, alerting us that our presence is required on the dancefloor before rattling, shuffling hi-hats mark out the groove and we head out on an ecstatic 7 minute analogue journey through a universe inhabited by wispy shadows of s-express, 808 state, mathew jonson and costellos own classic colorseries sound. words dont do justice to this one. simply drop the needle on the record and escape to an alternate universe on a magic carpet of analog synths and drum machines. ten thousand hours appears as a very limited one sided vinyl edition and wont be re-pressed. dont sleep

repress , back in stock !!!including anja schneider remix of >three weeks<. part 2 of his album released on three 12 inches. massive top dj support!
the choice of anja schneider for remix duties was an obvious one, the pair first met on a shuttle bus to an event and in short stead paul was co-writing for anja, becoming part of the driving force behind her huge debut album ‘beyond the valley’, now she pulls out all the stops to reciprocate with this standout reworking.
first up on the package is the anja schneider remix of ‘three weeks’, the opening cut from paul’s recent album. here the pair, deconstruct the parts and rebuild things into a deep and hypnotic version that has instant dancefloor appeal stamped all over it. solid, chunky drums rub up against simple spacey synth lines and warm pads to huge effect. bearing in mind the superb quality of the original this is a job well done, and a real addition to this great package.
next we have the original of ‘three weeks’, a track named after the extensive time it took to record. paul had originally intended to record the album in 6-8 weeks, then ended up spending nearly half of his allocated time on this opener. but it has to be said it was worth the effort. this is a slice of solid tech inspired house with subtle vocal elements and a musicality that cuts through the records club based nature. excellent stuff.
finally we have diamant flute, another winner from the ‘me, myself and live’ album. deep and highly engaging this again displays paul outstanding talents as a producer, weaving melodic elements deep into the mix and retaining an incredible underground electronic sound.

one of the biggest records in ibiza gets a release through italys go deeva with factomania on the remix dj support from eric morillo & many more...

akiko kiyama is back on lmd after kick starting the label with her acclaimed misidia monarchy ep. since then her sound has matured and grown, the flesh got spirit ep shows this in more ways than one. with a brooding sub low bassline & twisted intricate layers a genius vocal comes into play lifting the track only then to be placed back into the depths of the abyss. treppen is a peak time destroyer, sucking you into a hypnotizing rhthym that builds and builds creating a feeling that something is about to happen, strange vocals that sound like lost souls haunt the track hooking you in only to spit you back out onto a roller coaster baseline. sometimes is a harmonic cruise control roller that takes you on a trip through akikos wonderland.

repress of this incredible disco classic (1980) by arthur russell !!